If you’re a regular reader of this blog, you’ll likely recall last month’s post about my very first issue of Amazing Spider-Man, #59. That issue featured the first part of a three-part story that continued in the comic book that’s the subject of today’s post. As you’ll remember, the first chapter of the tale found our hero going up against a mysterious “new” foe called the Brainwasher — who, on the story’s last page, was revealed to be a not-quite-so-new villain after all — namely, the Kingpin. Read More
The primary subject of today’s post is the thirty-ninth issue of Daredevil, the first issue of the Marvel comic book series starring “The Man Without Fear” that I ever bought — but probably not the first book featuring Daredevil that I happened to purchase.
That’s because I’m pretty sure that, some time prior to plunking down my twelve cents for DD #39 at either the Tote-Sum or Short-Stop in February, 1968, I had shelled out a whole fifty cents at Miller’s Department Store for this little item: Read More
What defines a comic book superhero as a unique character? Is it a name, or a costume, or a power set? What about a hero’s “secret identity”? Does it even matter who’s wearing the costume?
For what it’s worth, I suspect that the majority of people reading this post have a general conception of “Superman” as a single, unique character, albeit one with multiple versions — “pre-Crisis”, “New 52”, “Golden Age”, and so on. It’s probably the same with Batman, or Wonder Woman — or with Captain America, Iron Man, or the Mighty Thor, for that matter. Even if these heroes undergo occasional costume modifications or power fluctuations — and even if someone else steps into their heroic role for a time in the service of a storyline — there’s still a sense of a core character underneath it all — an “ur-Superman”, an “ur-Batman”, and so forth. Read More