Back in 1967, when DC Comics’ newly-promoted Art Director, Carmine Infantino, discovered Neal Adams toiling away in a production room on one of the company’s “third-string” (Infantino’s words) titles — The Adventures of Jerry Lewis, perhaps — and determined that the young artist’s talents could and should be put to better use, one of the first better uses he put them to was to produce covers for DC’s “Superman family” books. These comics had been under the editorship of Mort Weisinger for a long, long time — decades, in some cases — and their covers all had a particular “look”, typified by the style of artist Curt Swan. The advent of Adams’ more dynamic style represented a sea-change for the Superman books, and, by extension — given the Man of Steel’s flagship status — the rest of DC’s line, as well. Read More
Fifty years after the fact, it seems a little strange to me that my first exposure to the Inhumans — one of the most memorable creations of Stan Lee and Jack Kirby to appear in the latter half of the 1960s — didn’t come by way of Fantastic Four, or from any other Marvel title drawn by Jack Kirby, but rather from an issue of Amazing Spider-Man, as illustrated by John Romita and Don Heck. But, hey, at least it was written by Stan, right? Read More
Last week I blogged about Avengers #53, a classic comic book featuring the titular super-team in battle with a second band of costumed heroes whom I hadn’t previously encountered as of April, 1968 — namely, the X-Men. That issue was actually the concluding chapter of a story that was continued from X-Men #45, making it the first comics crossover I ever experienced*. Unfortunately, I didn’t realize that the Avengers book was the second part of the crossover until after I’d already bought it and brought it home. That didn’t stop me from going ahead and reading the book — but as soon as I got the chance, I headed back to the convenience store to see if I could score a copy of the first part. Even though I already knew how the story ended, obviously, I still wanted to know how the heroes of both groups got themselves into the situation in which they found themselves at the beginning of Avengers #53 in the first place. Read More
The first Marvel comic book I ever bought was Avengers #45, back in August, 1967, but even though I enjoyed that issue, I wouldn’t get around to trying another Avengers comic for another eight months. By April, 1968, however, I’d begun buying both Amazing Spider-Man and Daredevil regularly, and I was ready to expand my Marvel-reading horizons a little further. Avengers was already a known quantity, obviously, and issue #53 clearly had something else going for it, as well — the appearance of a whole other super-group, the X-Men.
I’m honestly not 100% certain that I even knew whether the X-Men were supposed to be heroes or villains at this point, though it seems likely I would have noticed their book on the stands at some point. Assuming I did know that the X-Men were good guys, that would have been another strong selling point, as my younger self appears to have loved the idea of getting double the heroes (in this case, two hero teams) for the price of one — as attested to by the fact that in my first couple of years of comic book consumption, the only title I bought almost as regularly as Justice League of America was The Brave and the Bold, (which, of course, featured DC’s heroes teaming up with one another). And the fact that the cover heralded a “vs.” situation wouldn’t have thrown me, either — even as a mostly-DC reader up to 1968, I knew that heroes fought each other sometimes. After all, I was the proud owner of JLA #56, which featured what’s probably the first instance of the battle-lines-of-heroes-charging-each-other motif that informs Avengers #53’s cover (as it would many another cover through the years). Read More
My blog post about Daredevil #40 last month ended — as did its subject — by promising that the following month would bring “The Death of Mike Murdock!” And if you read that post — or have read, and can recall, the fifty-year-old DD #40 itself — you’ll know that that’s going to be a hard trick for writer Stan Lee, penciler Gene Colan, and inker John Tartaglione to pull off in issue #41 — because, even in the context of the fictional Marvel Universe, “Mike Murdock” is himself a fiction — a false persona invented by blind lawyer Matt Murdock to keep his friends and co-workers, Foggy Nelson and Karen Page, from learning that he, Matt, is actually the superhero Daredevil. Improbable as it may seem, Matt has managed to convince Karen and Foggy that he has a twin brother named Mike, and that Mike is Daredevil — and, as things have progressed, has also found himself actually enjoying playing the role of the more flamboyant and freewheeling Mike — though he’s beginning to have second thoughts, as we’ll see in a minute. Read More