Justice League of America was my first favorite comic book. As I’ve written about here before, it was the first series I subscribed to through the mail (my first USPS-delivered issue being #44, in 1966), and even after my sub ran out, I managed to score every new issue when it hit the spinner racks — up until issue #69, that is, which I either missed or intentionally passed on (the former seems a bit more likely, but who knows). A couple of months later, I missed (or skipped) #72 as well; and then, after #74, I apparently more-or-less dropped the book. In any case, I didn’t buy another issue of JLA until the one I’m writing about today, which arrived on stands in January, 1970. By this time, as regular readers of the blog know, I had entered a period in which comic books in general held less appeal for me, and I was buying hardly anything at all. So what could have grabbed me about Justice League of America #79 so much that I felt compelled to pick the book up? Read More
If you’re a regular reader of this blog, you might have noticed that it’s been a while since I’ve written here about either Detective Comics or Batman. The last issue of the former title to receive the “Attack of the 50 Year Old Comic Books” spotlight was issue #369 (Nov., 1967), while the most recent issue of the latter to rate a post was #197 (Dec., 1967). Not counting the hero’s appearances in issues of Justice League of America, World’s Finest Comics, and (most significantly) The Brave and the Bold that I have posted about, this blog has been a Batman-free zone for more than two years. That’s quite a contrast to the first two years of this enterprise, during which time the blog covered comics published from mid-1965 to mid-1967, and Batman and Detective accounted for nine posts between them. Read More
In 1969, Alex Toth had been a professional comic book artist for over two decades; but prior to the summer of that year, I’d never seen his work. That’s because I didn’t start buying comics until the summer of 1965, and the work that Toth was producing at that time only appeared in Warren Publishing’s black-and-white horror comics and in DC Comics’ romance titles, both of which were beyond my ken (though for different reasons) as an eight-year-old lad. And then, approximately one year after my own initiation into comic books, Toth left the industry (though, thankfully, only temporarily) to go work in TV animation. Read More
The second half of 1969’s iteration of DC Comics’ annual summer event teaming the Justice League of America with their Golden Age predecessors, the Justice Society of America, sported a cover that was — for this particular twelve-year-old’s money — considerably more exciting than the previous issue‘s. That cover had featured a row of JSAers looking on passively while some nameless kid ripped up a lamppost; this one, pencilled and inked by Neal Adams, heralded the first meeting between the Superman of Earth-One (the one currently appearing in multiple DC titles every month) and the Superman of Earth-Two (the one who’d ushered in the whole Golden Age of Comics in the first place in 1938’s Action Comics #1) — and from the looks of things, it was going to be a, shall we say, rather contentious meeting. That I would buy this comic book was never in question; but I have a hard time imagining anyone who was even a casual reader of DC superhero comics seeing this book in the spinner rack in July, 1969, and not picking it up. Read More
When last we left Aquaman, the King of the Seven Seas had just been reunited with his long-lost Queen, Mera, and the two were swimming swiftly back to Atlantis to confront Narkran — the man whom Aquaman had trusted to rule Atlantis in his stead while he searched for the kidnapped Mera, and whom he’d since learned had actually been conspiring all along with surface-world gangsters to take and hold Mera prisoner. Both King and Queen were unaware, however, of three other critical situations that were unfolding at the same time: the first (and most urgent) being the solitary battle of Aquaman’s junior partner Aqualad against a fearsome sea monster called the Bugala; the second, a burgeoning popular movement of rebellion against Narkran’s despotism by a band of young Atlanteans; and the third, an ongoing series of tremors that were rocking the undersea kingdom’s foundations. Read More
Throughout my fifty-four years of reading comic books, it’s hard for me to think of another cover that was as much of a pleasant surprise on first sight than Neal Adams’ cover for The Brave and the Bold #85. This goateed, grimacing tough guy, aiming an arrow out in the general direction of the viewer that didn’t look the least bit “tricky”, but rather looked quite deadly — this was Green Arrow?
The thing is, I actually already liked Green Arrow. Not that he was one of my very favorite characters, or anything like that; in fact, I’m fairly certain I’d never even read a solo tale featuring DC Comics’ Emerald Archer at this point, though that may have been mainly because I’d never really had the chance. (GA had lost his regular backup slot in World’s Finest in early 1964, a full year-and-a-half before I began buying comics; and though there’d been a few of his tales reprinted here and there since then, I’d missed them.) But I enjoyed seeing him in Justice League of America, perhaps at least in part because of his underdog status. While I generally favored JLA tales that focused on the team’s heavy hitters — Superman, Batman, etc. — I also appreciated those stories that allowed the “lesser” heroes their time in the spotlight, the way that Justice League of America #57 did for Green Arrow. I didn’t even mind all that much when the storytellers (writer Gardner Fox and artists Mike Sekowsky and Sid Greene, in this case) subjected the Battling Bowman to such silliness as the scene below, where GA, facing four armed criminals, takes the time to set up a trick shot because… it’s just more fun, I guess? Read More
Justice League of America was the first comic book title that you could say I “collected”, though I wouldn’t have used (or understood) that term at the time. I bought my first issue, #40 (Nov., 1965) at the age of eight, just a month or so after buying my first comic book, period, and didn’t miss a single issue out of the next twenty-eight — a run of a little over three years. Of course, it helped that I sent “National Comics” (i.e., DC) a dollar in the mail for a year’s subscription early on (and was then obliged to live with the legendary, dreaded folded-in-half crease for the next ten issues); but even after that ran out, I was able keep the run going without a break up through #68. If you’re old enough to remember how unreliable standard newsstand distribution was in the latter half of the 1960s (or if you just happen to be a regular reader of this blog) you’ll realize that was something of a feat — especially for a kid who had to rely on his parents for transportation to the convenience stores where he bought his comics, and couldn’t be certain of getting to the spinner rack every single week. Read More
As I’ve written in several previous posts, I was something of a wuss as a kid, at least when it came to my choices in entertainment. (Oh, who do I think I’m kidding? I was an all-around, all-purpose wuss.) To put it plainly, I was scared of being scared.
So I pretty much eschewed all forms of scary media: horror movies, eerie TV shows, spooky comic books… you get the idea.* That is, until a friend took me gently by the hand (metaphorically speaking) and showed me that a walk through the cemetery at midnight could actually be kind of fun. Read More
When I look back fifty years, attempting to recollect my early comics-buying experiences, I can readily remember all of the places where I regularly purchased my books, circa 1969. In order of (probable) shopping frequency, they were the Tote-Sum* convenience store on Triangle Drive, the Short-Stop* on Northview Dr., a second Tote-Sum on Forest Ave., and the Ben Franklin Five-and-Dime on Meadowbrook Rd.. I have some sense memory of each of those long-gone places — how they were laid out, the lighting, the location of the Icee machine behind the checkout counter, and so forth. By and large, however, I don’t have memories of buying specific comic books; for example, I have no idea at which store I bought either Avengers #65 or X-Men #57, the two comics I’ve blogged about here most recently.
But I do remember where, and maybe even when, I bought the subject of today’s post. I’m quite certain that I purchased it at the Triangle Drive Tote-Sum, and I’m fairly sure it was in the evening, after dark.
Why do I recall buying this particular comic book, and not others I picked up at around the same time? Well, it wasn’t due to artist Nick Cardy’s cover illustration, as compelling (though also, as we’ll soon see, ultimately rather misleading) as it was; or even to that illustration’s promise that within the comic’s pages, the titular hero’s months-long quest to find his kidnapped wife Mera would reach its end at last.
Rather, it was due to the fact that it was the first comic book I saw that reflected the price increase for “standard” size comic books that went into effect across the industry at that time — as the cost of a single issue rose from twelve to fifteen cents — a twenty-five percent increase.** Read More
For the first year or so of the Justice League of America’s existence, the stories of DC’s premier superteam followed a fairly strict formula. Beginning with the team’s three tryout issues of The Brave and the Bold in 1959 and 1960, the tales told by writer Gardner Fox, penciller Mike Sekowsky, and editor Julius Schwartz played out according to a prescribed pattern; the team members (Aquaman, Batman, Flash, Green Lantern, the Martian Manhunter, Superman, and Wonder Woman — and, from JLA #4 on, Green Arrow) would come together at (or at least near) the beginning of the story; then they’d encounter or discover a menace; then they’d split into teams to battle different aspects of said menace; and then, finally, they’d come together at the end to secure their ultimate victory over the menace. Also as part of the formula, at least for the earliest adventures, Superman and Batman took no active role in the central team-up chapters, and sometimes didn’t even show up for the group scenes at the beginning or end; this was due to editor Schwartz deferring to the preferences of editors responsible for those heroes’ own titles, Mort Weisinger and Jack Schiff, who didn’t want DC’s two marquee characters overexposed. Even after the restrictions on using the Man of Steel and the Caped Crusader eased up somewhat, there were issues when they were entirely absent (“on assignment” in Dimension X, or something else of that sort), and neither of them appeared on a cover until JLA #10 (March, 1962). Read More