Captain Marvel #12 (April, 1969)

Regular readers of this blog will have heard me say this before, but it bears repeating — sometimes, I just have no idea why my younger self chose to buy a particular comic book fifty years ago.

That’s certainly the case with the subject of today’s post.  After passing Captain Marvel by on the stands for almost a year, in January, 1969 I decided to gamble twelve cents on the series’ twelfth issue.  How come?

Was it the cover, by John Romita and Sal Buscema (or maybe George Tuska and Buscema — the usual reference sources differ)?  I suppose it could be.  It’s not a particularly distinguished composition (at least, not to my present-day, 61-year-old eyes), but it’s not what I’d call bad — and those bright, contrasting colors really do pop.  So, maybe.

Perhaps it was the result of a long-simmering curiosity about the character that had been sparked by my reading of the “Captain Marvin” parody in the ninth issue of Marvel’s Not Brand Echh series, back in May of ’68.  That piece, produced by the “real” Captain Marvel’s onetime writer and penciller (Roy Thomas and Gene Colan, respectively) had served as a sort of primer on the origin, powers, and modus operandi of “Marvel’s Space-Born Super-Hero!™” — though one read through a cracked glass, as it were.  It had also been pretty funny to my then ten-year-old sensibilities, even if Thomas’ gags referencing the original Captain Marvel had gone right over my head.  So, maybe I recalled this story when I saw Captain Marvel #12 on the spinner rack, and decided to give the “real thing” a try.  Read More

Advertisements

Doctor Strange #179 (April, 1969)

My younger self of a half-century ago was a little slow in warming up to Marvel Comics’ Master of the Mystic Arts, Doctor Strange.  As I related a few weeks ago in my post about Avengers #61, I think it mostly had to do with the good Doctor’s look — the mustache, the white temples, the blousy tunic, etc. — which didn’t seem quite “superheroic” enough for my eleven-year-old sensibilities.  However, the “new look” that artist Gene Colan and writer Roy Thomas introduced in issue #177,  effectively giving the sorcerous hero a more conventional costume of tights and a mask (the latter actually being a magical transformation of his physiognomy), intrigued me when I saw it in Marvel’s house ads — and the deal was sealed when I bought and read the aforementioned Avengers issue, in which Dr, Strange showed off his new look in a featured guest appearance.  That book primed me to check out the Doc in his solo series, and I made plans to pick up the next issue when it came out.

But when I finally did see Doctor Strange #179 in the spinner rack, roughly a month later, I was in for a surprise.  Because the face that gazed out at me from the cover wasn’t the new, blue one — rather, it was the mustachioed, white-templed visage that I thought was now old hat.  What was going on?  I had no clue, but hey — Spider-Man was guest-starring in the issue, and the wall-crawler was by now not just my favorite Marvel hero, but my favorite comic-book hero, period.  I didn’t see how I could go wrong buying this comic; and thus, I put my twelve cents down on the convenience store counter, and took it home.   Read More

Avengers #61 (February, 1969)

The subject of today’s post, in addition to being another fine installment in writer Roy Thomas and artist John Buscema’s original run on The Avengers, also happens to have been my first real encounter (outside of a couple of cameos) with Marvel Comics’ Master of the Mystic Arts, Doctor Strange — or, at least, I think it was.

The problem here is that I know that, once upon a time, I owned a copy of Marvel Collectors’ Item Classics #19 — a terrific, double-sized reprint book that not only included a classic early Doctor Strange tale (from Strange Tales #128), but also an equally-classic Fantastic Four story (from the 27th issue of that team’s title) that guest-starred the good Doctor.  A double dose of Doc, if you will. And since that book would have been on sale in  November, 1968, it would necessarily have been my first Strange-featuring comic — if I’d bought it new off the stands, that is.  Which I have no truly compelling reason to believe I didn’t.

Still — and allowing for how vague many of my comics-buying memories are after half a century’s passage — I somehow don’t believe that was the case.  When I reread both these books now, Avengers #61 simply feels like it was my first Dr. Strange comic, and MCIC #19 … doesn’t.  So I’ve decided, for the purposes of this blog, that I probably came into possession of my copy of the reprint book some time later, probably via trade with (or sale by) a friend.  If I’m wrong — well, we’ll never know, right?  (Besides which, nobody but me likely cares all that much.)

But even if Avengers #61 wasn’t the first comic book I ever read that featured Dr. Strange, it was certainly the first non-reprint book to include the hero that I ever picked up.  Without it, I might well not have taken to the character as much (and almost certainly not as quickly) as I did; for, immediately following my reading this issue, I became a regular purchaser of the Doctor Strange series — and I’d remain a faithful reader of the title for years to come, sticking around through its rather frequent cancellations and revivals, with its star ultimately becoming my second favorite Marvel character (right after Thor).

Which is pretty much just what Roy Thomas and his colleagues at Marvel hoped would happen, when they decided to guest-star Doctor Strange in Avengers back in late 1968.   Read More

Silver Surfer #4 (February, 1969)

The Mighty Thor has been my favorite Marvel Comics character for the better part of the last half-century.  The subject of today’s post is as responsible for that fact as much as is any other single comic book — even though it’s not “really” a Thor comic.

As I’ve recounted in previous posts, I first made the acquaintance of Marvel’s take on the Norse god of thunder in the summer of 1967, via Avengers #45 (which also happened to be my very first Marvel comic), in which he appeared in only the first few pages.  I didn’t encounter him again until almost a year later — this time in the pages of Avengers Annual #2, in which he played a somewhat more substantial role — but I didn’t get around to buying an issue of Thor itself until September, when the cover of #158 caught my eye.  That turned out to be a pretty good first issue to purchase, since it reprinted in full Thor’s origin story from Journey into Mystery #83, and its new-material framing sequence by Stan Lee and Jack Kirby also introduced me to a number of the settings and characters that had been brought into the series post-origin, such as Asgard, Odin, the Lady Sif, and so forth.  I enjoyed that comic book quite a bit, but for whatever reason, I didn’t pick up another issue of Thor for several months.  Read More

Avengers #60 (January, 1969)

They just don’t make superhero wedding comics* the way they used to.

These days, it’s as likely as not that a heavily promoted “wedding issue” will come out and have not a single scene where anything remotely resembling a wedding ceremony occurs.  Or, a couple does get married, but it’s a different couple than the one whose marital union the book was supposed to be about.  Something of a bait-and-switch going on in both of those cases, if you ask me.

Ah, but in the Good Ol’ Days (AKA the Silver Age of Comics), the major funnybook publishers really knew how to celebrate them some nuptials.  For an example, take Aquaman #18 (Nov.-Dec., 1964), where the whole blamed Justice League of America turns out for the Sea King’s undersea wedding to Mera (bubble helmets thoughtfully provided by the Royal Atlantean Event Planning Committee, I’m sure),   Or Fantastic Four Annual #3 (1965), in which not only do all of Reed Richards’ and Sue Storm’s super friends show up, but so do a whole passel of super foes, as well, thanks to the machinations of the diabolical Doctor Doom.  Now that’s what I call a wedding to remember.  Not a dry (or un-blackened) eye in the house, y’know what i mean?

And then, there’s Avengers #60, featuring “‘Til Death Do Us Part!”, by Roy Thomas (writer), John Buscema (penciler), and Mike Esposito (inker, as “Micky Demeo”) — which not only gives us an Avengers Mansion-ful of super-powered guests and gatecrashers, but also brings the wacky on a level rarely seen before or since.  Read More

Captain America #110 (February, 1969)

You know, I could have had the whole run of Jim Steranko’s Nick Fury, Agent of S.H.I.E.L.D. — all four issues of it! (seven if you include the three he only did covers for) — bought new off the stands, back in 1968.  If only I’d had the smarts, or the good taste, or the foresight to buy ’em at the time.  Alas, for the road not taken…

Just to clarify — I’m referring here to the titular Nick Fury comic book series that premiered in February, 1968, and not to the whole run of the legendary artist’s work on the “Nick Fury” feature, which began with his providing finished art over Jack Kirby’s pencil layouts in Strange Tales #151.  Although, come to think about it, I could have started buying Steranko’s work even as far back as then, if I’d wanted; that issue came out in September, 1966, after all, and by that date I’d already been buying comic books for a little over a year.  But Strange Tales was a Marvel comic, and in 1966 I was only buying DC’s books (with the odd Gold Key thrown in here and there).  By early 1968, however, things had changed.  I had started buying a couple of Marvel comics (Amazing Spider-Man and Daredevil) regularly, and was considering sampling some others.  And, as veteran Marvel readers and comics historians well know, 1968 was the year that Marvel Comics finally got out from under the thumb of their distributor (who also happened to be their primary competitor, DC Comics) and significantly expanded their line.  Over the first three months of that year, Marvel took their three “double feature” titles — Tales of Suspense, Tales to Astonish, and the aforementioned Strange Tales — and split them up, resulting in six “new” titles — Captain America, Incredible Hulk, Iron Man, Sub-Mariner, Doctor Strange, and Nick Fury, Agent of S.H.I.E.L.D.  Three of the books continued the numbering of the titles they’d been spun off from, while the other three (including Nick Fury) started with brand new issue #1’s.  What a great opportunity for a young comics fan to get in on the ground floor of some exciting new series, right?  Read More

Avengers #58 (November, 1968)

By September, 1968, when the subject of today’s post came out, I was buying The Avengers semi-regularly.  Of course, “semi” literally means “half” (at least in the original Latin) — which is my way of saying that though I’d bought issues #53, #56, and the 1968 Annual, I’d skipped, or at least missed, issues #54, #55, and #57.  So, not only did my eleven-year-old self miss out on the debut of the Vision (in #57), but I was also completely in the dark about the malevolent robot who’d allegedly created him, Ultron-5, introduced in issues #54 and #55 as the mysterious leader of the “new” Masters of Evil.

Thus, when I came across Avengers #58 in the spinner rack, I may have been momentarily daunted.  Even if I had no obvious way of knowing that this issue tied into the Masters of Evil storyline from several months back, it was clear from the cover that the story was a direct follow-up to the previous issue’s Vision tale.

But the cover also made it crystal clear that the book featured appearances by Captain America, Iron Man, and Thor — the Avengers’ “Big Three”, whom series writer Roy Thomas wasn’t allowed to use as regular team members by the fiat of editor Stan Lee, but whom he nevertheless shoehorned into the book every chance he got — and I had been conditioned by now to recognize this as  being something of s special event (if not necessarily a rare one).  And, in the end, that must have sold me.  I’d buy the book, and trust that the creative team — which included penciler John Buscema and inker George Klein, in addition to Thomas — would catch me up.  Read More

Avengers Annual #2 (September, 1968)

Fifty years ago, the decision to spend twenty-five cents on the comic book that’s the subject of today’s post was pretty much a no-brainer for my eleven-year-old self.  I had already bought and read that month’s regular monthly issue of Avengers, which I had enjoyed a great deal — and while that issue’s main plotline was mostly resolved by the story’s last page, there were some tantalizing loose ends left hanging, that a caption in the last panel assured readers would be tied up in the title’s “1968 Special — now on sale!”

But even if that hadn’t been the case, I expect I would have snatched up Avengers Annual #2 simply based on its spectacular John Buscema – Frank Giacoia cover.  “The New Avengers vs. the Old Avengers!”  Two superhero teams for the price of one (even if it did look like a couple of the heroes were doing double duty on both teams).  How could I pass up a deal like that?  Read More

Avengers #56 (September, 1968)

By July, 1968, my eleven-year-old self had decided he liked the Avengers, but, apparently, not quite enough yet to commit to buying their book every single month.  I’d bought my first Avengers comic (which also happened to be my very first Marvel comic), issue #45, almost a whole year previously, but had then waited until the following April to pick up my second, #53 (which also featured the X-Men, making it a bargain from a “more heroes for the money” perspective).  But even though I was already a regular buyer of two other Marvel comics (Amazing Spider-Man and Daredevil) by that time, I continued to hedge my bets on Avengers, for whatever reason.

Probably, it’s because neither of those Avengers issues had featured a story that continued into the following issue, as both Amazing Spider-Man #59 and Daredevil #39 — my first issues of those two series — had done.  By the time those two latter titles had each wrapped up three-issue story arcs in their respective issues #61 and #41, I was hooked enough on the main characters, and the subplots involving them and their supporting casts, to want to see what happened in their next issues.  In contrast, neither of the Avengers comics I’d bought thus far, as enjoyable as they’d been, had provided a compelling hook to bring me back for the next one.  It’s possible, of course, that I simply never saw copies of Avengers #54 or #555 for sale — as I’ve mentioned in earlier posts, I didn’t necessarily get to the Tote-Sum, or one of my other comics outlets, every single week — but since I was managing to score my copies of Spidey’s and DD’s books every month, it seems more likely that I did see ’em, and simply opted to pass.  Read More

Captain America #105 (September, 1968)

In June, 1968, almost a year after buying my first Marvel comic, and about five months after I started picking up the publisher’s books on a regular basis, I finally bought my first comic book featuring the work of the man who was probably the single most important architect of the “House of Ideas” (as they liked to call it back then) — Jack Kirby.  That book was Captain America #105 — the subject of this week’s blog post.

Unless, of course, it was Fantastic Four #78 — the subject of next week’s blog post.

Allow me to explain that ambiguous statement.  The fact is, both of those books came out in the first half of June, 1968 — and as I didn’t necessarily get to the Tote-Sum or one of my other comics outlets every single week back in those days, I can’t just go by which one would have reached stores the earliest.  And since I have no specific recollection of which I bought first (and it’s quite possible that I picked them up together, on the same day), I’m going to blog first about the one with the earlier “official” publication date according to the Library of Congress’ records (as reported by Mike’s Amazing World) — and that’s CA #105 (published June 4th) rather than FF #78 (published June 11th).  I wish I could be more certain that this one is the first, but this is the best I can do with the information (and poor memory) that I’ve got.

Still — to my mind, the more interesting question isn’t which Marvel comic by Jack Kirby I bought first, but rather, why did it take me so long to buy a Marvel comic by Jack Kirby in the first place?  Read More