Avengers #60 (January, 1969)

They just don’t make superhero wedding comics* the way they used to.

These days, it’s as likely as not that a heavily promoted “wedding issue” will come out and have not a single scene where anything remotely resembling a wedding ceremony occurs.  Or, a couple does get married, but it’s a different couple than the one whose marital union the book was supposed to be about.  Something of a bait-and-switch going on in both of those cases, if you ask me.

Ah, but in the Good Ol’ Days (AKA the Silver Age of Comics), the major funnybook publishers really knew how to celebrate them some nuptials.  For an example, take Aquaman #18 (Nov.-Dec., 1964), where the whole blamed Justice League of America turns out for the Sea King’s undersea wedding to Mera (bubble helmets thoughtfully provided by the Royal Atlantean Event Planning Committee, I’m sure),   Or Fantastic Four Annual #3 (1965), in which not only do all of Reed Richards’ and Sue Storm’s super friends show up, but so do a whole passel of super foes, as well, thanks to the machinations of the diabolical Doctor Doom.  Now that’s what I call a wedding to remember.  Not a dry (or un-blackened) eye in the house, y’know what i mean?

And then, there’s Avengers #60, featuring “‘Til Death Do Us Part!”, by Roy Thomas (writer), John Buscema (penciler), and Mike Esposito (inker, as “Micky Demeo”) — which not only gives us an Avengers Mansion-ful of super-powered guests and gatecrashers, but also brings the wacky on a level rarely seen before or since.  Read More

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Daredevil #47 (December, 1968)

When we last checked in on Matt Murdock for this blog, he was engaging in an unnecessary (but still entertaining) slugfest with Captain America, while also moping over having been (sort of) dumped by his (kinda) girlfriend, Karen Page.  All that, of course, went down in Daredevil #43, published in June, 1968.  The three issues that followed that one told a single story, in which Daredevil was framed for murder by his newest arch-foe, the Jester, who’d been introduced in #42.  I bought those issues when they came out, and the story was a pretty good one, as I recall.  Nevertheless, I’ve opted not to blog about them here — mainly because the Jester’s not all that interesting to me as a villain, and I’ve already made most of the general comments I could make about scripter Stan Lee and penciler Gene Colan’s late-Sixties DD work in earlier posts.

Daredevil #47 is something different, however.   “Brother, Take My Hand!” (for which Lee and Colan are joined by inker George Klein) is a standalone story without any flashy costumed super-villains, which deals meaningfully with some fairly unusual topics for a 1968 comic book — the Vietnam War, physical disabilities, and racial equality — without actually being “about” any of them.  Read More

Avengers Annual #2 (September, 1968)

Fifty years ago, the decision to spend twenty-five cents on the comic book that’s the subject of today’s post was pretty much a no-brainer for my eleven-year-old self.  I had already bought and read that month’s regular monthly issue of Avengers, which I had enjoyed a great deal — and while that issue’s main plotline was mostly resolved by the story’s last page, there were some tantalizing loose ends left hanging, that a caption in the last panel assured readers would be tied up in the title’s “1968 Special — now on sale!”

But even if that hadn’t been the case, I expect I would have snatched up Avengers Annual #2 simply based on its spectacular John Buscema – Frank Giacoia cover.  “The New Avengers vs. the Old Avengers!”  Two superhero teams for the price of one (even if it did look like a couple of the heroes were doing double duty on both teams).  How could I pass up a deal like that?  Read More

Avengers #56 (September, 1968)

By July, 1968, my eleven-year-old self had decided he liked the Avengers, but, apparently, not quite enough yet to commit to buying their book every single month.  I’d bought my first Avengers comic (which also happened to be my very first Marvel comic), issue #45, almost a whole year previously, but had then waited until the following April to pick up my second, #53 (which also featured the X-Men, making it a bargain from a “more heroes for the money” perspective).  But even though I was already a regular buyer of two other Marvel comics (Amazing Spider-Man and Daredevil) by that time, I continued to hedge my bets on Avengers, for whatever reason.

Probably, it’s because neither of those Avengers issues had featured a story that continued into the following issue, as both Amazing Spider-Man #59 and Daredevil #39 — my first issues of those two series — had done.  By the time those two latter titles had each wrapped up three-issue story arcs in their respective issues #61 and #41, I was hooked enough on the main characters, and the subplots involving them and their supporting casts, to want to see what happened in their next issues.  In contrast, neither of the Avengers comics I’d bought thus far, as enjoyable as they’d been, had provided a compelling hook to bring me back for the next one.  It’s possible, of course, that I simply never saw copies of Avengers #54 or #555 for sale — as I’ve mentioned in earlier posts, I didn’t necessarily get to the Tote-Sum, or one of my other comics outlets, every single week — but since I was managing to score my copies of Spidey’s and DD’s books every month, it seems more likely that I did see ’em, and simply opted to pass.  Read More

Superman #199 (August, 1967)

Who’s faster — Superman or the Flash?

It’s one of those questions that comic book fans have argued about for ages — like who’s stronger, the Hulk or Thor?  (Did someone just say “the Thing”?  Please.)  Essentially unanswerable — or, rather, the answer is “whichever one of them the creators at the comic book company that owns them has decided is the faster/stronger/better dressed in the context of the story you’re currently reading.”

Actually, I think the more interesting question — a question for which one fan’s answer is as valid as any other’s, and can’t be overruled by the characters’ corporate owners — is, who should be faster, Superman or the Flash?  Read More

World’s Finest Comics #162 (November, 1966)

People who’ve known me for a while are likely to know that as much as I love comic books, they’re not the only thing I geek out over.  Another of my abiding passions, going back more than forty years, is the legend of King Arthur and the Knights of the Round Table, in all its cultural manifestations — classic literature, modern prose fiction, art, films, music, and — of course — comics.  Over the last few decades I’ve been fortunate enough to have had several opportunities to combine my interests in Arthuriana and comics in ways I can share with others — beginning with an article in the late, lamented fanzine Amazing Heroes in 1984, continuing with contributions to academic (!) works such as The New Arthurian Encyclopedia, and more-or-less culminating in my web site, “Camelot in Four Colors:  A Survey of the Arthurian Legend in Comics” — est. 2000, and looking every day of its age (still, you should check it out, OK?).

I got the Arthurian bug in a big way around 1973 or thereabouts.  It was sparked by a number of factors, among the most significant being T. H. White’s novel The Once and Future King (as well as its stage and movie musical adaptation, Camelot), Mary Stewart’s Merlin novels, and C. S. Lewis’ contemporary science fantasy That Hideous Strength.  Those were all manifestations of the Arthurian legend that I encountered as an adolescent in the early Seventies — but, of course, like many if not most other English-speaking people of the modern world, I was first exposed to King Arthur and his mythos during the earlier period of my childhood.  And what was probably one of the first truly significant exposures came along in September, 1966, in the form of World’s Finest #162 — in which the ranks of the Round Table knights were joined by none other than my two favorite heroes, Superman and Batman.     Read More

World’s Finest Comics #157 (May, 1966)

This comic book features an “Imaginary Story”.  (And if your response to that phrase is “but aren’t they all imaginary?”, rest assured that famed British comics author Alan Moore agrees with you.)  “Imaginary Stories”, also known as “Imaginary Tales” or even (as in this very issue) “Imaginary Novels“, were a fixture of editor Mort Weisinger’s “Superman family” comics of the 1960s.  They allowed the creators to explore “what if?” scenarios in which Krypton never exploded, or Jimmy Olsen married Supergirl, or Superman was murdered by Lex Luthor (sounds like a bummer, I know, but it made for a classic story) — in other words, scenarios that wouldn’t or couldn’t fit into the “real” ongoing continuity of the comics.      Read More

Superman #181 (November, 1965)

The story featured on the cover of the second issue of Superman I bought (but the oldest one I still own) was actually the second, back-up story in the issue.  The lead story was a forgettable tale about a new “girl reporter” at the Daily Planet who begins scooping Lois Lane, Jimmy Olsen, and even Clark Kent himself with what appear to be super powers — unfortunately, a fairly typical example of just how dull the most powerful superhero in comics could sometimes be under the editorial aegis of Mort Weisinger, probably the main reason why there are fewer 1960s issues of Superman and Action comics in my collection than you might imagine.

The real draw of the issue, justifiably granted the cover spot, was “The Superman of 2965!” — a tale that introduced a distant descendant of our own Man of Steel, who, despite the many intervening generations of interbreeding with ordinary (one assumes) Earthlings, still has all of his original namesake’s Kryptonian potency.  The cover copy assures us readers that we won’t believe our eyes, because this future version is “so different from the original Superman of Krypton!”  How different is he?  Read More

Superman #180 (October, 1965)

According to the Grand Comics Database, this particular comic book, the first one I ever bought, went on sale on the 5th day of August, 1965.  I probably didn’t buy it on that specific day, but it is possible.  In any case, I’m going to post about it today — exactly 50 years to the date it originally hit the stands.

Why Superman?  Well, then as now, he was the best-known comic book superhero in the world, having been published continuously from 1938 onwards.  And I already knew him from television, for even though the live-action series starring George Reeves had ended its run in 1958 (when I was two years old), episodes were being re-run every weekday afternoon by one of our two local stations.  It may be hard to believe in our era, when superheroes permeate popular culture in films, TV shows, games, toys, etc., but that was pretty much it for encountering comic book heroes in other media in the summer of 1965.  (Things would change drastically pretty soon afterwards, but that’s a subject for our next post.)  Read More