The titular subject of today’s post is the first full chapter in the final complete multi-issue storyline of Stan Lee and Jack Kirby’s Fantastic Four. Along with that distinction, this story arc is well remembered for being one of the best examples of how Kirby, by this time deeply dissatisfied with his situation at Marvel Comics, was rather brazenly lifting his story ideas from stuff he’d seen on TV. Several months earlier, he’d “playfully parodied the theme of” (as an item in this very month’s Marvel Bullpen Bulletins put it) the British cult program The Prisoner for the main conceit of a four-part Doctor Doom epic. This time, it was an episode of Star Trek — or, more probably, two episodes of Star Trek. But before we get into all that, here’s a bit of background to help set the stage… Read More
Back in October of last year, I wrote a post about Amazing Spider-Man #68, the first installment of the “petrified clay tablet” story arc that would run for a full eight issues (or ten, depending on how you look at it — more about that later). If you’re a regular reader of the blog, you may remember that I identified this storyline as a major highlight of my early years as a Spider-Man fan, and that I wrote I planned to return to it for at least a couple more posts before we reached the 50th anniversary of its finale.
Well, it’s kind of funny how things go, sometimes. The fact is, there have been so many other fine comics hitting the half-century mark over the past seven months that Spidey has kept getting squeezed out. But there’s no way I can let the climactic chapter, issue #75’s “Death Without Warning” pass by without posting about it; and so, here we are. Read More
Today’s post is the fourth in a series we’ve devoted to chronicling a storyline that ran through a number of Marvel comics in the first few months of 1969 — a sort of “stealth crossover” in which a number of the publisher’s heroes got involved (some without even knowing it) in foiling the dastardly plot of three (allegedly) big-brained super-villains intent on (what else?) taking over the world. The comics readers of that time (your humble blogger among them) had to be paying close attention to all the editorial footnotes in the comics involved to follow the story (and even then, it was a hit-or-miss affair) — because, in high contrast to today’s multi-title “events”, Marvel’s in-house promotion for the crossover was virtually non-existent.
Things had first gotten rolling in January with Captain Marvel #12, in which the titular hero battled a powerful android, the Man-Slayer, that was trying to wreck a U.S. missile base in Florida called “the Cape” (as in Canaveral). The Man-Slayer’s rampage was ultimately shut down not by Mar-Vell, however, but rather by S.H.I.E.L.D. operative the Black Widow, who was promptly taken prisoner by the Man-Slayer’s unseen masters. Moving into February, Avengers #63 revealed the Widow’s captors to be the Mad Thinker, Egghead, and the Puppet Master. The Widow was rescued by her boyfriend, the Avenging archer known as Hawkeye, though not before he’d downed a vial of Dr. Henry Pym’s growth serum and become the new Goliath. Read More
When we last left Captain Mar-Vell of the Kree, at the conclusion of our Captain Marvel #12 post back in January, the alien soldier-cum-Earth superhero had just emerged from a battle against a mysterious android, the Man-Slayer, that had been rampaging across “the Cape”, a U.S. missile base in Florida. Meanwhile, both Mar-Vell’s Earth secret identity of Dr. Walter Lawson and his costumed-adventurer persona of Captain Marvel were now wanted for treason, leaving our protagonist in a bit of a pickle. All of this was serving to distract Mar-Vell from what should be job number one — using the awesome new powers granted him by the cosmic entity Zo to exact vengeance on his mortal enemy, the Kree colonel named Yon-Rogg, whom Mar-Vell held responsible for the death of his beloved Medic Una.
And while all this was going on on the printed page, Captain Marvel was facing challenges behind the scenes as well — because after already going through three writers and an equal number of artists over its fourteen-issue run (counting two issues of Marvel Super-Heroes), his series was about to welcome aboard yet another writer, Gary Friedrich, and artist, Frank Springer. With Captain Marvel #13, both of those gentlemen dove right into the ongoing storyline that had been developed over the past couple of issues by the previous scripter (Arnold Drake) and penciller (Dick Ayers) — and then proceeded to tread water for twenty pages. Read More
My interest in Marvel Comics’ Silver Surfer series seems to have been somewhat sporadic in the first half-year or so of its original run. As I’ve written in earlier posts, I bought the first issue in May, 1968, and though I liked that book a lot (at least, that’s how I remember things), I opted to pass on both the second and third issues (unless, of course, I never saw either of them on the stands, which is quite possible). Issue #4, however, was most likely a no-brainer purchase decision for my eleven-year-old self, what with its absolutely iconic cover (by John and Sal Buscema) depicting the Surfer and the mighty Thor about to come to blows. And considering how spectacularly that book delivered on its cover’s promise, my picking up the following issue when I saw it was probably a given, as well –even though its cover (by John Romita, according to the Grand Comics Database), while good, wasn’t quite in the same exalted class. Read More
Regular readers of this blog will have heard me say this before, but it bears repeating — sometimes, I just have no idea why my younger self chose to buy a particular comic book fifty years ago.
That’s certainly the case with the subject of today’s post. After passing Captain Marvel by on the stands for almost a year, in January, 1969 I decided to gamble twelve cents on the series’ twelfth issue. How come?
Was it the cover, by John Romita and Sal Buscema (or maybe George Tuska and Buscema — the usual reference sources differ)? I suppose it could be. It’s not a particularly distinguished composition (at least, not to my present-day, 61-year-old eyes), but it’s not what I’d call bad — and those bright, contrasting colors really do pop. So, maybe.
Perhaps it was the result of a long-simmering curiosity about the character that had been sparked by my reading of the “Captain Marvin” parody in the ninth issue of Marvel’s Not Brand Echh series, back in May of ’68. That piece, produced by the “real” Captain Marvel’s onetime writer and penciller (Roy Thomas and Gene Colan, respectively) had served as a sort of primer on the origin, powers, and modus operandi of “Marvel’s Space-Born Super-Hero!™” — though one read through a cracked glass, as it were. It had also been pretty funny to my then ten-year-old sensibilities, even if Thomas’ gags referencing the original Captain Marvel had gone right over my head. So, maybe I recalled this story when I saw Captain Marvel #12 on the spinner rack, and decided to give the “real thing” a try. Read More
In December, 1968 — about a year and a half after my first sampling of Marvel Comics’ wares, and a year after I’d begun buying the company’s books on a regular basis — I finally got to read a story featuring their number one super-villain. Of course, I’m talking about Doctor Doom.
And by this time, I was more than ready to make the not-so-good Doctor’s better acquaintance. After all, not only had I caught him on several episodes of the Fantastic Four’s Saturday morning TV cartoon show (one of which, “The Way It All Began”, had even provided a stripped-down version of his origin story), but I’d also encountered him in flashback or other cameo appearances in several comics, including Silver Surfer #1 and Not Brand Echh #9 (though the latter was technically not the “real” Victor von D., but rather the “Marble Comics” parody version, “Doctor Bloom”. Read More
As I’ve related in previous posts on this blog, my introduction to Marvel Comics’ Inhumans came not by way of their usual stomping grounds in Fantastic Four, but rather via an issue of Amazing Spider-Man that featured Medusa. Soon afterwards, I encountered Medusa’s little sister Crystal as a supporting character in FF — but all I knew about her at first was that she was the Human Torch’s girlfriend, and that she had a weird pattern in her hair. It wasn’t until issue #81, in which Crys suited up in blue to become the Invisible Girl’s temporary replacement on the team, that I even learned that she had superpowers, let alone that she was a member of the mysterious Inhumans’ royal house.
And then, just one month later, it was at last time to meet the rest of the family… Read More
Sometimes, it can seem like most of the introductory paragraphs I write for these blog posts are explanations (or apologies) for the posts I’m not writing — i.e., the posts about the classic comic books I can’t write about here (at least not directly), because I didn’t buy them new off the stands fifty years ago. That’s been especially true for the comics of 1968 — a year seemingly chock full of milestones, of which I seem to have missed at least as many as I caught. The latest example came just last week, when I had to explain in the introduction to my Avengers #58 post how I’d missed the three issues that led up to that landmark story. And this week, we have yet another one.
- If you’re a regular reader, you may recall that my first issue of FF was #78, which featured the first half of a two-part story in which Ben Grimm was cured (again) of being the Thing; unfortunately, I missed the next month’s issue, and by the time I got back on board, with #80, Ben was all orange ‘n’ rocky again, and he and the other guys were having a brief adventure way out West prior to the birth of Sue and Reed Richards’ child. But hey, at least I got to witness the return of one-time regular supporting character Wyatt Wingfoot, along with the awesome debut of a brand-new villain, Tomazooma! Still, that would soon prove small consolation for my missing the next issue of Fantastic Four to hit the stands — namely, the 1968 Annual, which featured not only the debut of a considerably more impressive (and durable) villain, Annihilus, but also the introduction of a brand-new supporting character: none other than Reed and Sue’s bouncing baby boy, Franklin Benjamin Richards.
By September, 1968, when the subject of today’s post came out, I was buying The Avengers semi-regularly. Of course, “semi” literally means “half” (at least in the original Latin) — which is my way of saying that though I’d bought issues #53, #56, and the 1968 Annual, I’d skipped, or at least missed, issues #54, #55, and #57. So, not only did my eleven-year-old self miss out on the debut of the Vision (in #57), but I was also completely in the dark about the malevolent robot who’d allegedly created him, Ultron-5, introduced in issues #54 and #55 as the mysterious leader of the “new” Masters of Evil.
Thus, when I came across Avengers #58 in the spinner rack, I may have been momentarily daunted. Even if I had no obvious way of knowing that this issue tied into the Masters of Evil storyline from several months back, it was clear from the cover that the story was a direct follow-up to the previous issue’s Vision tale.
But the cover also made it crystal clear that the book featured appearances by Captain America, Iron Man, and Thor — the Avengers’ “Big Three”, whom series writer Roy Thomas wasn’t allowed to use as regular team members by the fiat of editor Stan Lee, but whom he nevertheless shoehorned into the book every chance he got — and I had been conditioned by now to recognize this as being something of a special event (if not necessarily a rare one). And, in the end, that must have sold me. I’d buy the book, and trust that the creative team — which included penciler John Buscema and inker George Klein, in addition to Thomas — would catch me up. Read More