By September, 1968, when the subject of today’s post came out, I was buying The Avengers semi-regularly. Of course, “semi” literally means “half” (at least in the original Latin) — which is my way of saying that though I’d bought issues #53, #56, and the 1968 Annual, I’d skipped, or at least missed, issues #54, #55, and#57. So, not only did my eleven-year-old self miss out on the debut of the Vision (in #57), but I was also completely in the dark about the malevolent robot who’d allegedly created him, Ultron-5, introduced in issues #54 and #55 as the mysterious leader of the “new” Masters of Evil.
Thus, when I came across Avengers #58 in the spinner rack, I may have been momentarily daunted. Even if I had no obvious way of knowing that this issue tied into the Masters of Evil storyline from several months back, it was clear from the cover that the story was a direct follow-up to the previous issue’s Vision tale.
But the cover also made it crystal clear that the book featured appearances by Captain America, Iron Man, and Thor — the Avengers’ “Big Three”, whom series writer Roy Thomas wasn’t allowed to use as regular team members by the fiat of editor Stan Lee, but whom he nevertheless shoehorned into the book every chance he got — and I had been conditioned by now to recognize this as being something of s special event (if not necessarily a rare one). And, in the end, that must have sold me. I’d buy the book, and trust that the creative team — which included penciler John Buscema and inker George Klein, in addition to Thomas — would catch me up. Read More
Fifty years ago, the decision to spend twenty-five cents on the comic book that’s the subject of today’s post was pretty much a no-brainer for my eleven-year-old self. I had already bought and read that month’s regular monthly issue of Avengers, which I had enjoyed a great deal — and while that issue’s main plotline was mostly resolved by the story’s last page, there were some tantalizing loose ends left hanging, that a caption in the last panel assured readers would be tied up in the title’s “1968 Special — now on sale!”
But even if that hadn’t been the case, I expect I would have snatched up Avengers Annual #2 simply based on its spectacular John Buscema – Frank Giacoia cover. “The New Avengers vs. the Old Avengers!” Two superhero teams for the price of one (even if it did look like a couple of the heroes were doing double duty on both teams). How could I pass up a deal like that? Read More
By July, 1968, my eleven-year-old self had decided he liked the Avengers, but, apparently, not quite enough yet to commit to buying their book every single month. I’d bought my first Avengers comic (which also happened to be my very first Marvel comic), issue #45, almost a whole year previously, but had then waited until the following April to pick up my second, #53 (which also featured the X-Men, making it a bargain from a “more heroes for the money” perspective). But even though I was already a regular buyer of two other Marvel comics (Amazing Spider-Man and Daredevil) by that time, I continued to hedge my bets on Avengers, for whatever reason.
Probably, it’s because neither of those Avengers issues had featured a story that continued into the following issue, as both Amazing Spider-Man #59 and Daredevil #39 — my first issues of those two series — had done. By the time those two latter titles had each wrapped up three-issue story arcs in their respective issues #61 and #41, I was hooked enough on the main characters, and the subplots involving them and their supporting casts, to want to see what happened in their next issues. In contrast, neither of the Avengers comics I’d bought thus far, as enjoyable as they’d been, had provided a compelling hook to bring me back for the next one. It’s possible, of course, that I simply never saw copies of Avengers #54 or #555 for sale — as I’ve mentioned in earlier posts, I didn’t necessarily get to the Tote-Sum, or one of my other comics outlets, every single week — but since I was managing to score my copies of Spidey’s and DD’s books every month, it seems more likely that I did see ’em, and simply opted to pass. Read More
Honestly, I have no idea why it took so long for me to buy my first issue of Fantastic Four. After all, I’d been watching their Saturday morning TV cartoon since September, 1967, same as I’d been watching Spider-Man, which had premiered at the same time. But while I’d started picking up Spidey’s monthly comic in January, 1968, it took me another five months to take the plunge with the FF.
As I speculated in last week’s post about Captain America #105, it may have been that I was a little leery of Jack Kirby’s artwork, which looked different than the art in any other comic I was reading. Or, possibly, I was waiting for the continued story that, thanks to the issue descriptions featured in the monthly “Mighty Marvel Checklist”, I knew had been running since issue #74 — involving Galactus, the Silver Surfer, and Psycho-Man — to wrap up, so that I wouldn’t be jumping in in the middle of a storyline. At this late date, I have no way of knowing for sure. But in any event, when I saw #78 on the spinner rack in June of 1968, I was ready at last to put Marvel’s claim of global preeminence to the test. Read More
The subject of today’s post has the distinction of being the first Marvel Comics “first issue” I ever purchased. That may actually be somewhat less of a big deal than my putting it that way makes it sound, since, way back fifty years ago in May, 1968, I’d only been buying Marvel’s books regularly since the beginning of the year — and also because prior to January, 1968, launches of brand-new Marvel comics were pretty rare birds. Read More
Fifty years after the fact, it seems a little strange to me that my first exposure to the Inhumans — one of the most memorable creations of Stan Lee and Jack Kirby to appear in the latter half of the 1960s — didn’t come by way of Fantastic Four, or from any other Marvel title drawn by Jack Kirby, but rather from an issue of Amazing Spider-Man, as illustrated by John Romita and Don Heck. But, hey, at least it was written by Stan, right? Read More
The first Marvel comic book I ever bought was Avengers #45, back in August, 1967, but even though I enjoyed that issue, I wouldn’t get around to trying another Avengers comic for another eight months. By April, 1968, however, I’d begun buying both Amazing Spider-Man and Daredevil regularly, and I was ready to expand my Marvel-reading horizons a little further. Avengers was already a known quantity, obviously, and issue #53 clearly had something else going for it, as well — the appearance of a whole other super-group, the X-Men.
I’m honestly not 100% certain that I even knew whether the X-Men were supposed to be heroes or villains at this point, though it seems likely I would have noticed their book on the stands at some point. Assuming I did know that the X-Men were good guys, that would have been another strong selling point, as my younger self appears to have loved the idea of getting double the heroes (in this case, two hero teams) for the price of one — as attested to by the fact that in my first couple of years of comic book consumption, the only title I bought almost as regularly as Justice League of America was The Brave and the Bold, (which, of course, featured DC’s heroes teaming up with one another). And the fact that the cover heralded a “vs.” situation wouldn’t have thrown me, either — even as a mostly-DC reader up to 1968, I knew that heroes fought each other sometimes. After all, I was the proud owner of JLA #56, which featured what’s probably the first instance of the battle-lines-of-heroes-charging-each-other motif that informs Avengers #53’s cover (as it would many another cover through the years). Read More
This issue of JLA features “The Negative-Crisis on Earths One-Two!”, a story written by Gardner Fox and illustrated by Mike Sekowsky and Sid Greene. It’s the second part of 1967’s Justice League – Justice Society team-up, an annual summertime tradition that DC Comics maintained from 1963 all the way through 1984. I blogged about the first half of this tale a few weeks ago, and I’m sure you’re all eager to find out how our heroes get out of the mess they were in at the conclusion of JLA #55. And we’ll get to that pretty soon — but first, I’d like us to spend a little quality time with the book’s cover.
To begin with, it’s just a great piece of work — one of the final, as well as one of the finest, products of penciller Carmine Infantino and inker Murphy Anderson’s long and profitable collaboration. And as perhaps the first comic book cover to feature what would become an everlasting motif in the superhero genre — two line-ups of superheroes charging each other — it has historic significance as well. Read More