“Batmania” may have dominated the pop culture landscape in 1966, but it was by no means the only thing going on at the time — not even within the smaller sphere of pop-cultural activity that was of special interest to nine-year-old boys such as myself. For one thing, there was also The Man from U.N.C.L.E.
The Man from U.N.C.L.E. (that’s the United Network Command for Law and Enforcement, for those of you who don’t already know, and yet might actually care for some reason), in addition to being something of a mini-phenomenon of its own, was of course also part of the larger wave of popularity of the “super-spy” genre in the early-to-mid-Sixties. The wellspring of this popularity was author Ian Fleming’s James Bond, the hero of a series of espionage thrillers who’d debuted in 1953, but who’d really taken off (especially in the United States), when it was revealed that President John F. Kennedy was a fan. By 1966, the enormous success of Agent 007 had yielded a crop of imitators as well as variations on the “spy-fi” concept, including TV’s spoof Get Smart and Western-spy-fi genre hybrid The Wild Wild West, not to mention comics’ Nick Fury, Agent of S.H.I.E.L.D. and T.H.U.N.D.E.R. Agents series. Read More
By October, 1966, United States military forces had been operating in Vietnam for over a decade, though mostly in an advisory role for much of that time. Beginning in 1961, however, President John F. Kennedy had greatly increased the number of American troops stationed in the region; and his successor, Lyndon B. Johnson, had used the authority of the Gulf of Tonkin Resolution, passed in August, 1964, to escalate the U.S.’s military role in the conflict between North and South Vietnam. The deployment of 3,500 Marines in March, 1965, effectively began the American ground war there. By December of that year, the number of U.S. troops had been increased to 200,000. Read More
DC Comics actually published two issues of Justice League of America in September, 1966: the subject of this post, issue #49, which was released on September 13, according to the Library of Congress Copyright Office’s filing records (accessed, per usual, via the amazing web site Mike’s Amazing World); and issue #48, released a little less than two weeks earlier, on September 1. That might seem odd, considering that JLA was only being published nine times a year at this point, but the extra November-dated issue was actually a reprint collection — an “80-Page Giant” featuring three of the premier super-team’s earliest adventures. Read More
Most of the villains generally considered to be on Batman’s “A-list” of foes were introduced in the first decade or so following the Caped Crusader’s first appearance in 1939. The Joker first arrived on the scene in 1940, barely a year after his heroic adversary’s debut, as did Catwoman. The Penguin and the Scarecrow followed soon after, in 1941, while Two-Face first turned up in 1942. Even the Riddler, a character who wouldn’t really take off until the mid-Sixties, debuted as early as 1948.
I may be as old as dirt, but even so, I’m not quite ancient enough to have been around for any of those characters’ introductory appearances. On the other hand, I am old enough, and also fortunate enough, to have been present for the debut of another member of that top rank of Batman baddies — the villainess known as Poison Ivy. Read More
Justice League of America #44 was the first comic book I ever got through the mail. It came in a brown paper wrapper. And it was folded in two, lengthwise.
Which, of course, would significantly lessen its future value as a collectible, but my eight-year-old self hardly cared about that. After all, I was the kid who cut the logo off the cover of Superman #181 and cut up a story page in The Brave and the Bold #64 for the subscription coupon on the back — said subscription coupon being the very reason why I was now receiving my first issue of JLA through the mail, just a few months after I’d mailed the coupon in, accompanied by a single dollar bill. (One dollar for 10 issues! I saved a whole 2 cents per comic book.) Read More
Hawkman was the fourth member of the Justice League of America on whose solo adventures I eventually decided to gamble 12 cents, his having been preceded by Superman, Batman, Green Lantern, and the Flash. (Wonder Woman, the Atom, and Aquaman would eventually follow, though unfortunately Green Arrow had already lost his supporting slot in World’s Finest by this time, and I wouldn’t get around to checking out House of Mystery until well after its doors had shut on the Martian Manhunter.) Most of what I knew about the Winged Wonder came from Justice League of America #41, where I’d learned that both Hawkman and his wife, the similarly attired and identically powered (but perhaps slightly smarter) Hawkgirl, were alien police officers from the planet Thanagar, operating undercover on Earth for reasons I didn’t quite understand yet. Read More
Guest appearances and crossovers are par for the course in the superhero comics of today, but it wasn’t always that way, at least not at DC Comics. In 1966 you had DC’s big guns teaming up every month (more or less) in Justice League of America, and Superman and Batman appearing together regularly in World’s Finest. And The Brave and the Bold had by now evolved into a book featuring a constantly revolving lineup of (usually) two headliners (although Batman would soon lock down one of the co-starring slots as an ongoing gig). But to have, say, Aquaman turn up in an issue of Wonder Woman? That sort of thing didn’t happen very often. Read More
I’ve mentioned DC’s The Brave and the Bold in a couple of earlier posts. This comic got its start in 1955 as the home for a variety of historical adventure series, starring swashbuckling heroes like the Viking Prince, the Golden Gladiator, Robin Hood, and the Silent Knight. Later, it became a tryout book, showcasing new characters and concepts that could be spun off into their own series if their “pilot” issue sold well enough. In this iteration, the book saw the first appearances of the Suicide Squad, the “Silver Age”Hawkman, Metamorpho, and (most successfully) the Justice League of America. With its 50th issue, however, the book began a transition towards becoming a one-off team-up comic, with a rotating roster of (normally) two characters sharing cover-billing. My own first issue of The Brave and the Bold, #64, was the second to feature one of DC’s two most popular heroes, Batman, as one of the two headliners; over the next eighteen years, however, it would be succeeded by 132 more such team-ups starring the Caped Crusader. It was thus a typical issue of the series in terms of what was to come, if not what had gone before. Read More
In tracking the publication dates of my earliest comics purchases via the Grand Comics Database, I’ve been a little surprised to find a lot of variation in how many (or few) comics I managed to pick up in a given month. I guess the fact that I was an eight year old without a reliable means of regular transport to the nearest Tote-Sum convenience store provides a plausible enough reason — still, I’ve been somewhat bemused to discover that I apparently made only one comics purchase in November, 1965 — and of all the comics on the spinner rack that month, the single comic book that I chose was Lois Lane #62.
Lois Lane is one of those comic book characters that practically everyone knows, but of whom people have widely varying conceptions, based on what version of the character they’ve been exposed to and when. If you line up all the renditions of the character in all media since her introduction in 1938, and look for qualities possessed by all of them, what do you have? Lois Lane is a journalist. Lois Lane knows Superman personally. Lois Lane is… not a blonde. Not a whole lot else, frankly. Read More
Before re-reading this comic in preparation for this blog post — probably the first time I’d cracked its cover in at least three decades — I had been remembering it as a more typical example of the JLA stories of the period than the first one that I’d bought and read, the philosophical and essentially villain-less “The Indestructible Creatures of Nightmare Island!” in JLA #40. As it turns out, however, this issue has a good bit more in common with its immediate predecessor than I’d previously recalled. Like in that story, the main action here turns upon a character manipulating people’s attitudes and behaviors by artificial means. However, in “The Key-Master of the World!” (uncredited, but produced by the book’s regular creative team of Gardner Fox, Mike Sekowsky, and Bernard Sachs, according to the Grand Comics Database), the manipulation is limited only to the titular heroes rather than affecting the whole world, and the perpetrator’s intent is malicious, rather than benign. Read More